Is The Brutalist Set to Win Best Original Score at the Academy Awards 2025?

At this year’s Oscars, the competition for Best Original Score is fierce, with several compelling scores vying for the coveted award. Among them, Daniel Blumberg’s work for “The Brutalist” has emerged as a strong contender, captivating audiences and critics alike with its innovative and evocative soundscape. But does this make it a guaranteed winner? Let’s delve into the contenders and explore the potential for “The Brutalist” to claim the Oscar gold.

A Sonic Landscape Mirroring Architectural Grandeur

“The Brutalist,” directed by Brady Corbet, tells the epic story of László Tóth, a Hungarian architect and Holocaust survivor navigating the complexities of post-war America. Adrien Brody delivers a powerful performance as Tóth, grappling with the challenges of rebuilding his life and career under the patronage of a wealthy, yet ultimately flawed, benefactor.

The film’s scope and themes demanded a score that could match its ambition, and Blumberg delivered in spades. He conceived the music as “slabs of sound,” mirroring the Brutalist architectural style that defines the film’s visual aesthetic. The piano, with its inherent architectural qualities, serves as the score’s foundation. Blumberg employs a range of piano preparations, manipulating the instrument’s acoustic potential to create a unique sonic palette.

This is further augmented by brass, wind, double bass, and percussion instruments, resulting in a soundscape that shifts between intimate warmth and pulsating orchestral rhythms, exploring extremes in pitch and intonation. The score is not merely background music; it is a character in itself, reflecting the emotional and thematic complexities of the film.

Can The Brutalist take home the award for Best Original Score? Betting site 22bet21.com lists the odds at 1.41/1 or 70.90%, meaning it seems likely.

Strong Competition from Previous Winners and Popular Favorites

While “The Brutalist” holds a strong position, the competition is fierce. Volker Bertelmann, fresh off his Oscar win for “All Quiet on the Western Front,” is nominated again for his score for “Conclave,” a Vatican-set conspiracy thriller. Bertelmann’s score masterfully blends tension and sensitivity, incorporating both sacred and thrilling musical elements. The immense popularity of “Wicked,” the cinematic adaptation of the hit Broadway musical, also poses a significant threat. The score, composed by John Powell and Stephen Schwartz, expands upon the original stage production’s music, including a 20-minute rendition of the iconic “Defying Gravity,” interwoven with action sequences.

Other Nominees and Their Unique Soundscapes

“Emilia Pérez,” a musical crime thriller, features a score by Clément Ducol and Camille that blends seamlessly with the film’s dialogue, lyrics, and overall soundscape. The score captures the surreal mix of family drama, narcotics thriller, and operatic musical elements. Finally, Kris Bowers’ score for the animated sci-fi adventure “The Wild Robot” captures the protagonist’s journey of survival and transformation, sharing musical DNA with the original song “Kiss the Sky.”

A Tight Race to the Finish Line

While “The Brutalist” enjoys frontrunner status, the strength of the other nominees cannot be ignored. Bertelmann’s previous win and the sheer popularity of “Wicked” make them formidable contenders. Ultimately, the Academy’s decision on who will win Best Original Score will likely hinge on which score resonates most deeply with the voters. Blumberg’s innovative and evocative work for “The Brutalist” has undoubtedly made a strong impression, creating a sonic experience that is both intellectually stimulating and emotionally resonant. However, the final outcome remains uncertain, promising a thrilling climax to the awards ceremony. Will Blumberg’s “slabs of sound” triumph, or will another contender steal the spotlight? The wait is almost over.